The Weight We Choose

12” · 12” oil, cold wax, and collage

The Pack of Fear

At the beginning of the Camino, I hated my pack.

It clung to me—a stubborn weight, always present, always asking something of my body. I thought it was heavy because I was not strong enough.

But it was heavy because it was full of fear.

I had packed for every what if, every just in case, every quiet doubt that whispered I would not be enough unless I carried more.

I am a mother. I am the one who anticipates, prepares, and provides. I carry the extra snacks, the medicine, the rain gear, and the things no one thinks they will need until suddenly, they do.

I am the just in case.

Also, I come from abundance, from a life in which there is usually more than enough. More food than we eat. More clothing than we wear. More belongings than we use.

Still, we gather more.

Excess has a cost.

What we carry, we must tend.

What we own, we must store, protect, and keep.

Too often, what we keep is never used at all.

Day after day, as we walked from village to village, I began to notice small cloth bags hanging beside doors and mailboxes.

At first, I did not understand what they were.

Then I smelled the bread truck before I saw it—warm, yeasty, alive.

The truck passed through villages without bakeries, leaving bread in the waiting bags. Each household received only what it needed for that day.

Give us this day our daily bread.

In the desert, the Hebrews learned that tomorrow’s provision could not be gathered in advance. Manna would not keep. It could not be stored or controlled, only received and used.

I had spent much of my life trying to gather tomorrow’s bread today.

I carried extra food because someone might get hungry. I carried things my children could carry for themselves. I carried the fear that if I did not anticipate every need, someone would go without—and it would be my fault.

Slowly, the Camino began to loosen my grip.

I did not need to carry food for everyone. They could carry their own.

I did not need to save yesterday’s bread. Today would come with its own provision.

Yesterday’s loaf only grew damp with rain—stale, heavy, and forgotten at the bottom of my pack.

And still, I carried.

Until I didn’t.

Little by little, I began to trust.

Trust that there would be enough.

Trust that my family could carry some things for themselves.

Trust that I did not have to be everything for everyone.

Trust that what I needed would meet me when I arrived.

The weight of my pack did not disappear all at once.

As I let go of what I did not need, I began to understand that the heaviest things I carried were never the things inside it.

They were my fear of being unprepared,

my fear of being dependent,

my fear that daily bread might not be enough.

The Camino did not promise I would never go without, but it did teach me

 that I do not have to carry tomorrow before it comes.

A Pilgrim’s Pause

12” · 12” Oil, cold wax, and collage

A Pilgrim’s Pause

The Camino took us through the middle of life.

Through tiny villages and busy cities, past open windows, cafés, shopkeepers, children playing, laundry hanging, and neighbors talking in the street.

We were walking through Spain at the speed of humans—slowly enough to notice.

This painting holds one of those ordinary moments: a pilgrim pausing on a street while life continues around her.

Nothing extraordinary happened.

And perhaps that is why I wanted to paint it.

We Were Never Meant to Walk Alone

We Were Never Meant to Walk Alone
36” · 48” Acrylic and oil on canvas

Because They Had Less

We met a pilgrim named Beau who was walking with his wife and their seventeen-year-old son.

They had been covering long distances and feeling strong—until suddenly, they were not.

Beau suffered a severe flare-up of gout. By the time they reached their albergue one evening, he was in terrible pain. He struggled up the stairs to their room and could barely move.

His wife went downstairs to the café and asked if she could take dinner up to him.

“That is not an option,” the hospitalero told her. “He must come down and eat in the café.”

She was tired and worried. As she climbed the stairs to help Beau, she thought, I should have carried more food.

Together, she and their son helped him down to the café.

The moment the hospitalero saw Beau, his firmness disappeared.

“Oh, no! What happened? What is wrong?”

In broken Spanish, they tried to explain the gout and the pain in Beau’s foot.

Then the hospitalero lived fully into the meaning of his name.

He welcomed them to the table and fed them. While they ate, he called a local doctor. The doctor arrived with a pharmacist and someone who could translate.

No one asked for payment.

Had their packs been full, heavy with provisions intended to protect them, they might have remained upstairs, alone in their suffering.

They would have eaten.

But they would have remained unseen.

Instead, their need became an opening.

Because they had less, they received more.

Because they could not carry everything, they were carried.

At a simple table in a small Spanish village, they received far more than dinner or medicine. They received the care of strangers who saw their need and responded as though they belonged to one another.

There, they tasted something more delicious than bread.

They tasted trust.

As their packs grew lighter, something else began to fill the empty space—not more possessions, but gifts:

Gratitude that catches in the throat.

Humility that softens the heart.

And the wisdom that we were never meant to walk this road alone.

I’m so excited to invite you to the opening of When the Road Becomes Prayer: Paintings from the Camino de Santiago. This exhibition brings together paintings and stories inspired by walking the Camino with my family—what we carried, what we received, and what the road taught us along the way. There are many more paintings and stories to share! Please join me for the opening and artist reception Sunday, September 27 at 2:00 PM at St. Matthew’s Cathedral in Dallas. I would love to see you there!

She Stopped

36” · 48” Oil on canvas

One afternoon on the Camino, we came to the base of a long hill.

It was late and it was hot—

the kind of heat that slows your steps and stretches the hills taller than they are. 

At the side of the path, a woman sprawled on the ground, unable to continue. One pilgrim glanced at her, crossed to the other side of the road, and kept walking. A couple stopped and asked if she needed anything. “No,” she said, the way we often do when accepting help feels harder than enduring the pain alone.

Then my friend Sara arrived.

She did not stand above the woman and ask another question. She set down her pack and sat beside her. “What are we dealing with?” she asked. The woman explained that her leg had seized with a painful cramp and that she could go no farther. Sara smiled gently. “I’m good at massage,” she said, “and I just bought some oil from a women’s cooperative. May I try to work it out?”

This time, the woman said yes.

Slowly and patiently, Sara massaged the cramped muscle until the pain began to ease. Little by little, movement returned. Then the two women stood.

Three pilgrims climbed the hill together.

As I watched them walk, I recognized the parable of the Good Samaritan, 

not told in a church, but written in sweat, road dust, and kindness.

Compassion did not announce itself.

It simply sat down.

The quiet miracle was not only that Sara stopped. It was also that the injured woman found the courage to receive what was offered. Along the road, may we be the ones who notice. The ones who stop. The ones who sit beside another person in pain.

And when we are the ones lying at the foot of the hill, may we also find the grace to say yes.

I’m so excited to invite you to the opening of When the Road Becomes Prayer: Paintings from the Camino de Santiago. This exhibition brings together paintings and stories inspired by walking the Camino with my family—what we carried, what we received, and what the road taught us along the way. There are many more paintings and stories to share! Please join me for the opening and artist reception Sunday, September 27 at 2:00 PM at St. Matthew’s Cathedral in Dallas. I would love to see you there!

“The Washerwoman”

16”x12” oil on linen

I painted a demo today for ACA (Associated Creative Artists) in Dallas today. What a delightful group! This painting is of a woman who was washing clothes in Melide, Spain. She was on the Camino, but she wasn’t a pilgrim. She was just using this beautiful stone laundry plaza. I wanted to capture the light, and the way common everyday tasks connect us.

“When They Walked Together”

3ft x 4ft oil on canvas. Work in progress

These are my kids: #3, #2, #1, and #4. I threw this painting together in a day. I painted the poppies the way I remember them, a blanket of red! I finished this painting and hung it up. I didn’t love it. I love my kids, I love the Camino, I love poppies, but I don’t love it all together. I finally put it back on the easel and asked myself the hard question, why didn’t I like it? I decided the poppies were a problem, there is just too much going on in this painting. Getting rid of all those beautiful flowers felt like cleaning out a too full closet and having to part with GOOD stuff. It was a little sad, but I painted over them anyway. I redrew the hill behind the kids I greyed the entire background down. The painting already feels better to me. Now what??? When I am focused on getting a drawing right, I often forget to be painterly, so the figures look cut out and collaged in. I’ll see if my next painting session can fix that:)

About this series: Our family of 6 walked the Camino de Santiago in 2023, and my husband and I returned with our girls in 2025. I’m painting the journey—one memory at a time—and I hope you’ll follow along as I prepare for an art show in fall 2026.

The Bones of Living

8”x6” oil on cradled panel

This is a little demo I did for a one day workshop I taught today in Sunnyvale, TX. We talked about composition, abstracting nature, and what a tonal underpainting can do to add atmosphere to a painting.

This painting explores the threshold between decay and renewal. At first glance the trees seem lifeless, stripped down to what remains after growth has passed. Yet the light seeps through and around these forms like breath in a body. Transforming what could feel desolate into something hopeful, reminding us that even in bareness there is vitality. The trees are not dead; they are enduring. Their exposed structure becomes a testament to resilience—the underlying framework that allows life to return.

Pause

Our family of 6 walked the Camino de Santiago in 2023, and my husband and I returned with our girls in 2025. I’m painting the journey—one memory at a time—and I hope you’ll follow along as I prepare for an art show in fall 2026.

Mixed media and oil 48”x36”x2”

The Cambridge Dictionary defines a pilgrim as a person who makes a journey, often a long and difficult one, to a special place for religious reasons.

From May 30 to July 4, 2023, my husband and I, along with our four children, walked from St. Jean Pied de Port, France, to Santiago de Compostela, Spain—and then on to the end of the earth, Cabo de Finisterre.

We made this pilgrimage to celebrate 25 years of marriage.

1,295,000 steps to Finisterre

9,131 days to 25 years

Along the way, I learned lessons of:

Gratitude

Trust

Vulnerability

Grit

Hope

Joy

Love

Friendship

Humor

and Patience

I learned that you can go really far if you focus on the possibility rather than the problem. You will get there if you just keep going—the only way possible—one step at a time.

I also learned that it is the little moments along the way that make the journey special. Because of this, I try to pause and appreciate the beauty and significance that are right in front of me.

An Illustrated Guide to Blister Care and Prevention

10”x14” watercolor on paper

I am an artist who loves long walks.

While walking the Camino de Santiago, I came to see that tending blisters was an act of love, a way of living out these words: “Whatever you did for the least of these, you did it to me.” But love is not only intention—it is also preparation. My blister care kit became a ministry bag, filled with both prevention and healing.

Blister Care Kit Essentials

Good shoes: I reccomend trail running shoes with at least a thumb’s width at the toe (I love Altra Lone Peaks). Most blisters I saw came from boots or shoes that were too small.

Quality socks: Merino wool or other breathable fabrics. Keep shoes, socks, and feet clean—sand and dirt cause friction. On rainy days, change into dry socks midday.

GEHWOL Foot Cream: With eucalyptus, rosemary, lavender, lanolin, thyme, and camphor. Use after your shower at night and again in the morning. It moisturizes, helps prevent blisters (and athlete’s foot), and smells amazing!

Blister wool: Place on hot spots to cushion and “eat” friction before it causes blisters. I passed this out on the Camino like cotton candy.

Needle, lighter, and alcohol wipe: For puncturing fluid-filled blisters safely.

Hydrocolloid bandages: Cover popped blisters until healed.

KT tape: My favorite for hot spots—more flexible than moleskin. Works especially well with blister wool on almost-healed or not-quite-formed blisters.

Toe caps: Reusable silicone covers that protect tricky between-the-toe blisters.

A few band-aids and antibiotic ointment.

This kit reminded me daily that care for the body can also be care for the soul. To tend another’s feet on the Camino is to step into the story of Christ himself, who knelt to wash dusty feet with love. The road humbles us all. Each shared step, each act of tenderness, reminds me that our journey is not only toward Santiago, but also toward seeing Christ revealed in the weary, the wounded, and the ordinary moments of care along the way.

Buen Camino!

P.s. I have now walked the Camino Frances from St. Jean Pied de Port to the end of the world (twice) with NO BLISTERS!

Family Tree: Deep Roots Wide Branches

I’m so excited today I am prepping materials for family day at the DMA. I am the feature community artist and my project is: “Deep Roots and Wide Branches”

Come co-create a collaborative piece of art with me at the Dallas Museum of Art tomorrow!! Come write your family story into our collaborative art project. What makes your family special? Is it your deep roots or your wide stretching branches?

“my great granny made me feel like I was the only person on earth and that we had all the time in the world.”

“We all sit down every night for dinner at 6, and everyone can always bring a friend, it can be pretty crazy, but our dinner table is how I think of my home and family.”

Come paint, come play, and come write your story into our family tree. You will have the chance to try out a variety of mixed media tools and techniques, Our collaboration will be structured with enough direction to ensure success and enough freedom to allow for creative expression. DMA Saturday Nov. 2nd 11am-4pm